ROMA

ROMA

Saturday, April 28, 2012

Final Week: Beginnings and Endings

In the last weeks of the semester we learned new styles of analyzing architecture while combining methods previously learned in the semester. Along with the closing of studio projects we also visited new sites that we had not seen. We approached our inevitable ending of our semester abroad in Rome and emotions were bittersweet, as much as we all didn't want this time to come to an end. The ending weeks were started off with a day trip to Tivoli to see the famous gardens and Hadrian's Villa.

The Tivoli gardens were not only beautiful and pleasing to the eye but they also were very reminiscent of our past studies of urban fabric because of the planned out pathways that dictate movement around the gardens.
Our next stop was Hadrian's Villa. It was interesting to compare the planned out design of the Tivoli gardens to Hadrian's Villa plans which are now in ruins. Although not much of the villa is left the general forms of the buildings and paths still are present which made it easy for us to imagine what the city would have looked like in its prime. 



Upon our return we were tasked two new mini projects that forced us to think outside of the box. We were introduced to collage and ephemeral art, which we found not only interesting but a relaxing process of expressing our analyses. We all enjoyed seeing each other's own approach to these abstract projects. 

 



Another new experience for most of us was going to see a symphony of Beethoven's 7th. It was not only a beautiful performance but we sat inside one of the concert hall's designed by Renzo Piano and were able to have a first hand experience of an architectural wonder.

The most memorable experience of our last week was being surprised by rina and Eric with a two day trip to the island of Capri. Thanks to Dave Shove-Brown we were able to visit the exclusive villa Malaparte. It was a long journey through the hills of Capri but we were rewarded with an amazing building and beautiful view of the island and ocean.


To close off our four month long journey in Italy we had an open house to exhibit all of our work throughout the semester. The open house is where everything came together for us and visitor to admire all of our hard work. 


The final dinner that we had last night was a bittersweet goodbye because of the friendships and connections we have made with each other from this semester. We walked around the streets near the pantheon reminiscing over memorable and funny memories that we had. But our final hugs at the outside of the pantheon is where it sank in that we are all leaving, what better place to say goodbye than at the Pantheon. Ciao Roma!

Claudia Wainer and Chris Weimann

Saturday, April 21, 2012

Videos from the Hallet Workshop

Race to Pick the Sites:
http://www.youtube.com/watch?v=O91MnwuUplc&feature=youtu.be

Campo de' Fiori: Lauren MacGregor, Kara Borton and Patrick Davidson
http://www.youtube.com/watch?v=MKyWeS5FNAc&feature=youtu.be

Piazza di Cosimato: Chris Weimann, Christine Jimenez and Nick Gentile
http://www.youtube.com/watch?v=OoFF-gGQqSU&feature=youtu.be

Jewish Ghetto: Tom McKenna, Dylan King and Katie Simonse
http://www.youtube.com/watch?v=SzmvChP2haw&feature=youtu.be

Piazza de San Lorenzo: Jamie Dalgleish, Sean Toner and Chris Bruno
http://www.youtube.com/watch?v=zEf5G9pW4RE&feature=relmfu

Piazza di San Maria in Trastevere: Alex Bahr and Daniela González
http://www.youtube.com/watch?v=jvxDmz-knic&feature=youtu.be

Piazza della Rotunda: Josh Jacques, Claudia Wainer and John Abowd
 http://www.youtube.com/watch?v=_ngs_eUtlCA&feature=youtu.be

Spanish Steps: Elena Mangigian, Janell Eckrich and Liana LaMastra
http://www.youtube.com/watch?v=8ZOoe4AD07Q&feature=youtu.be

By: Josh Jacques and Daniela González

Tuesday, April 17, 2012

Week 14: Old Meets New


After a nice relaxing Easter break, we all returned from our short getaways for more adventure.  On Tuesday, April 10, we had a tour of Trajan's Market.  Here we learned of the magnificent structure issued by Emperor Trajan, including Trajan's Column, which depicts stories of Ancient Rome.  Before our tour started, Professor Jenkins made note of a very important architectural aspect.  The importance of this building in an architect’s eyes is to look how the new architecture is incorporated with the old.  Basically how does the architect in this era design structures with the old ancient ruins of Rome?  Here we saw many different ways of preserving structure with modern strategies and technologies and how coverings are built into the old structure without damaging.


Trajan's Forum

Attentively listening to our tour guide.

Example of the new with the old.

John multi-tasking with his camera and sketchbook!
Glass doorways connected to the arch.
Another example of the new: an elevator.
The Trajan Column.


The next day accompanied by Dr. Dawson we went to the very famous Jubilee Church designed by Richard Meier.  Instead of having different parts of a building incorporated into one another, new and old, this church is more about how it fits into the surroundings.  Being a modern building in Rome, it does not look anything like a normal church or basilica.  Only until you enter inside does the space look more familiar with the pews, the altar, the crosses etc.  But something very important about this church that differs from nearly all the churches from ancient Rome is that there is barely any decoration.  The walls are white and everything is very plain.  Because of the design there are no large light fixtures in the space, it is all natural lighting.

The front facade of the Jubilee Church.
The altar and very little decoration behind.
Glass ceiling which helps for natural lighting.

Dr. Dawson with some of the class.



For our final studio project we have four small projects that we pin up and discuss over wine and snacks.  The first project was due Thursday April 12th.  We were given instructions to sketch a minimum of three drawings on a 10x10 sheet of watercolor paper.  Then we had to use the tools that Tom Kerns taught us to incorporate a new medium…WATERCOLOR!  This intertwined the old aspects of what we did in the beginning of the year: sketching and drawing with a new medium that most of us are not used to: water coloring.

A couple examples of student work.



By: Sean Toner and Catherine Simonse











Tuesday, April 10, 2012

Week 12: From Past to Present, a Trip North

As a warm-up for our week-long endeavor in exploring the rich and detailed depths of modern architecture, Marina led our class to the futuristic district of Rome known as the EUR.  Planned by Benito Mussolini to celebrate two decades of Facism, the EUR hosts a tactile collection of Roman-inspired modern architecture. Palazzo della Civilta' Italiana (also known as the "Square Colosseum") and Palazzo dei Ricevimenti e Congressi were two Facist structures visited by the students. A visit to the Museo della Civilta' Romana challenged students to find relationships between thousand-year-old structures and the 1940's-style buildings surrounding them.  Inspired by this modern neighborhood just outside the walls of Rome, students returned to Campo de Fiori with a new appreciation for the causes of transitions in architectural styles.

 Marina approaching the "Square Colosseum"

 Interior space of Palazzo dei Ricevimenti e Congressi

 Students behind benches of Palazzo rooftop

Outside Museo della Civilta' Romana

Before our journey to Northern Italy, we presented our projects on Architecture and the Urban Fabric. We were given the task to analyze an existing site and to design the placement of a modern theater with an exterior courtyard. With the help of our previous exercises of urban design led by Eric Jenkins, we confidently analyzed our new sites and we picked up the ability to notice certain trends at each site. All students were guided by the site context and came up with creative solutions to adapt the theater into its context.  To conclude the jury, the jurors reiterated that the architecture which we design in a city must correspond to the neighboring buildings. This comment was easy for us to relate to because without the help of the neighboring buildings, we would find it difficult to start our designs.

Jamie and Elena start off the presentations

Alex and Chris receive feedback from Eric 

The class listening to Liana and Nick's critique 

Chris and Claudia listening to the juror's advice

Dylan presenting the schematic design of his theater

The juror's give the class their last comments and
advice as we approach the last few weeks in Rome.

The shift in classical to modern styled Architecture continued as we arrived in Verona. This concept was first emphasized when we began to look at Carlos Scarpa’s  Banco Popolare di Verona.  At first sight, the building is not very beautiful. Like a fine wine, it takes time and understanding to appreciate. From the spacing between the joining of materials to the alignment of centers and edges, this building’s beauty begins to shine.  We see this theme again in Castelvecchio, remodeled by Scarpa. The Vicenza Architect Andrea Palladio continues this theme in structures such as in the Teatro Olimpico and Villa Rotonda.

 Facade of Scarpa's Banco Popolare di Verona

Interior of the Banco Popolare looking at the joining of materials

 Approaching Castelvecchio

 Stairway designed by Scarpa

Group Dinner in Vicenza

 Andrea Palladio's Teatro Olimpico

Architect: Andrea Palladio. Building: Villa Rotonda

The class approaches Villa Rotonda

The class in front of Villa Rotonda

Walk back from Villa Rotonda

After our stay in Vicenza we moved on to Ljubljana, Slovenia to look at some of Joze Plecnik’s work, but not without one more look at Scarpa’s work. On our bus ride to Ljubljiana our first stop was the Brion Cemetery, by architect Carlo Scarpa. Here we were able study Scarpa’s attention to detail and see how he applied his style of architecture to the cemetery giving it a modern look that was ahead of its time. Our next stop was Ljubljana, and we took a look at some of Joze Plecnik’s work while we walked around the city. First we stopped in the Market to observe how Plecnik played with classical elements in a modern way, and used materials to achieve his contemporary designs. A great example of this was Plecnik’s foutain in the market, designed to wash fruits and vegetables. As we walked through the city we also saw Triple Bridge, Pogačar Square, Church of St Francis of Assisi, and Ljubljana Castle. Our second day we visited Zale Cemetary, to study and compare Plecniks designs to those of Scarpa’s. Once again we saw how he played with classical ideas and treated the cemetery more as a park and public area. Finally on our last day we were able to visit Plecnik’s house in his hometown of Ljubljana and see a few more pieces of his work including the National and University Library and The Church of St. Michael. Then it was back to the bus and on to our next and final stop, Venice.     

  Photographing The Brion Cemetary by Carlo Scarpa

  Eric and Marina analyzing Scarpa's work

Market in Ljubljana

Plecnik's Fruit and Vegetable Fountain

Dude Party, Ljubljana

Josh and Tom hike up to Ljubljana Castle

Students at the top of Ljubljana Castle

Garden of the Joze Plecnik House

Plecnik House, concrete framed windows

Preparing for a group shot in front of the Church of St. Michael

By: Jamie Dalgleish, Patrick Davidson, Christine Jimenez and Dylan King